the critics are right

We took the girls to see Wall-E this morning. We went to the first showing we could find, at 10:15. Here's a tip for the annoyingly peevish couple with no kids seated directly in front of us. If you want to go see a G-rated movie on opening weekend and don't want to share the theatre with little kids, go to the 9:30 PM show. Actually I noticed lots of people there with no kids. That's the power of Pixar for ya.
Anyway, the first hour or so, before Wall-E leaves the Earth, is just heartbreakingly good. The animation has taken a giant step forward, yes, but it's the story and characters that really grab you. The simplest moments are the absolute best, and you just wish there were more of them. Bob Mondello said “The first hour of Wall-E is a crazily inventive, deliriously engaging and almost wordless silent comedy of the sort that Charlie Chaplin and Buster Keaton used to make.”
Once the humans come into the story, it loses its human touch, which is funny, right? The robot with his pet cockroach express more humanity than any of the human characters. Point taken, Pixar. Sadly, much of the film was too intense for Junebug, who is still processing. L. though, was fearless throughout most of it, only getting worried when things looked the worst for poor Wall-E. But of course a happy ending was assured. Which is good, because I would have been verklempt if anything had happened to that little tramp.



