misc.
Last night I shoved the last remaining pills down Emma's throat. One was a large tablet which the vet's office told me "she might want to eat it!" because, apparently, it is meat-flavored. Yeah, right. Dogs aren't stupid. And besides, this was a dog who lost 5 pounds because she ate nothing! Not even baby food offered on our fingers. For about 3 weeks I was responsible for giving her 9 pills a day, a combo. of 2 antibiotics + cough tablets + cough tablets with hydrocodone for nightime sleeping. Just stop and think about that. 9 pills a day. She grew very, very suspicious of me. Luckily dogs are, for the most part, very forgiving. So the fact that she is pretty much completely better and I don't have to administer the pills any more is reason enough to pop a cork.
Now, about Sweeney Todd. I liked it. It was time the play had a good updating, and I can't think of anyone better to do it than Tim Burton, unless it would be that guy who directed Pan's Labyrinth. As expected, the design was stunning. I don't know what he uses for blood, but it is beautiful stuff: surreal and so shiny. The next thing I noticed is that the Greek-ish chorus is completely gone! Gone! I kind of missed it, but I can understand why he didn't see how to work it in without it seeming weird. It works on stage, but not so much on film. I still maintain that Johnny Depp is too pretty for the role, but he did a wonderful job with it. His restraint is almost too much, you just want to see him lash out. And then when he does, he is magnificent. This is one of Depp's best roles. When he talks about missing his wife & daughter, you can see the memories in his eyes. I really felt him, emotionally, in a way that hasn't been true before. And I was pleased to see Mrs. Lovett's role is as significant as ever, especially after reading that it had been reduced. However, it took a while to get used to the fact that Helena Bonham Carter CAN'T SING AT ALL. Seriously. Johnny Depp barely sings and he sounds Operatic in comparison. She was very wooden at first. Her first song ( The Worst Pies in London) is so crucial, and she can't nail it because she looks almost embarrassed to be there. You don't even see her eyes, she's just looking down the whole time, not at the camera or at Depp. She's almost cringing. Like she's trying so hard just to avoid sucking, because she knows she can't possibly excel. Ok, all that sounds like I hated her. I didn't hate her, but it took awhile for me to warm to her in the role. By the end, I bought her completely. She's wonderful with Toby, but holds back a bit too much with Sweeney.
Now, on to the only part of the film I did hate: Anthony. I don't know who cast this kid, but he is all wrong. He can sing a little bit, but is an effeminate little fop who is completely NOT believable when he promises to rescue Joanna. Come on! He needs to be young and impressionable, but at least somewhat masculine. The kid ain't it. He's a little girl. Joanna would do well to rescue her ownself.
A word about Perelli: Sacha Baron Cohen was wonderful. He really couldn't have been better. Bravo! The same goes for Alan Rickman as Judge Turpin, and the guy who played Beadle Bamford (he was Wormtail in Harry Potter. Oh, sorry! That sounds kinda nasty!) All were excellent in their respective, but decidedly disreputable, roles.
There were some things that were changed or left out, but nothing too important or annoying. Overall, I thought it was good. It was interesting to sit in a theatre listening to people say things like "Are they gonna sing the whole time?" and "OMG, I didn't know there would be so. much. blood!". I saw this film on Friday, then went back to the same theatre in Boulder on Saturday for The Golden Compass. Of the two adaptations, I would have to say that, in my opinion, The Golden Compass was more successful. It isn't perfect, and I do wish that Lyra hadn't done that "Aww, shucks" smile thing even once, much less twice. The incidental music in Compass was pretty bad, and the song played over the closing credits is truly appalling. I witnessed people leaving the theatre just to escape the song! But the film itself is mostly good. Nicole Kidman was flawless, except that I could tell she'd had some weird lip-plumping treatments. And, of course, Daniel was Daniel. Even the kids were good, except for the above-mentioned "Let's all congratulate Lyra!" moments. Both directors had difficult tasks with these projects. But if I had to choose one, I'd go with Compass.
A word about knitwear. It pissed me off that my first glance at Anthony in Sweeney Todd told me they'd used Noro yarn to knit his scarf. That sort of thing completely takes me out of the film in a bad way. It seemed inappropriate for the costumers to use a Japanese silk-blend yarn for him, even though he was a sailor who, perhaps, had just come home from The Orient. I had a somewhat different reaction to the knitwear in Compass. I'm bound and determined to make Lyra's beautiful hat from the second half of the film. I can't explain why Anthony's scarf was an annoying distraction, while Lyra's hat was fascinating. The scarf was very pretty, but it just seemed out of place. Lyra's hat was perfectly odd and charming, and just what was required.
Okay, enough for now. God, Jennifer, don't start me!
Now, I must go shower and dress to (yes, only now! Can you believe it has taken this long? And it is only 3 blocks away from our house!) go to the DMV to obtain a Colorado Driver's License. And then, maybe the Denver Nature Center. I hear they have tons of Dinosaur bones.



























